“King Cobra” isn’t even half as good as most entries in the medium it clearly despises

“King Cobra” isn’t even half as good as most entries in the medium it clearly despises

This review was commissioned by Patrick McClafferty! If you’d like to commission a review, please see my Commissions page.

 

WARNING: the following review contains discussions of child pornography and abuse.

 

There are very, very few queer-themed thrillers that I actually like. Stranger by the Lake is pretty much a classic at this point, The Talented Mr. Ripley is unfairly underrated, and Paul Verhoeven’s The Fourth Man really needs to be seen by more American audiences, but that’s about it as far as I’m concerned. Most of the reason I tend to hate thrillers with major LGBTQ characters is that they either feature said characters doing awful depraved things Because Gay or Because Trans as basically their entire motive (most of the reason I’ve never been able to work up the energy to defend Basic Instinct) or are just painfully low-rent and badly made (Hellbent, widely touted as the first slasher with an all-gay cast, springs to mind).

Continue reading ““King Cobra” isn’t even half as good as most entries in the medium it clearly despises”

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